Music

Tash Sultana Shakes Up War Memorial Auditorium

The “one-person-band” known as Tash Sultana rolled through Nashville last Friday as part of their Flow State World Tour, named after their new album released at the end of August. An Australian native, Tash Sultana fuses psychedelic rock and slow, swinging reggae to create an ethereal environment that invites the listener to get lost in the sound. Tash’s captivating music has gained them avid followers worldwide, who have been known to jump the barricade after the show in order to get closer to the artist.

WRVU Interview: Matt Signore, COO of Warner Nash

 

On October 19th, 2018, I was given the opportunity to speak with Matt Signore, the Chief Operating Officer of Warner Music Nashville, a sub-label under Warner Music Group. Mr. Signore offered unique insight to the culture and values of the company, as well as answers to questions about the internal operations of Warner Music Nashville and Warner Music Group as a whole.

Rundown of Austin City Limits 2018

Source: Heather West

Austin City Limits is a 3-day, 2-weekend music festival held every year in October. Nearly half a million people traverse Zilker Park in downtown Austin during these weekends to hear some of the biggest artists in the biz. This year, ACL brought in an impressive lineup, including Paul McCartney, Arctic Monkeys, Travis Scott, The National, Metallica, and Odesza. Austin is hailed as “the live music capital of the world” thanks largely in part to this festival. Here are some interesting tidbits from Austin City Limits 2018:

Does the Song Remain the Same with Greta Van Fleet?

Raw, emotional, expansive, monumental, dynamic: all words to describe an era of classic rock that has seemingly come and gone. Although recent musical acts have channeled the soulful ten-minute-long guitar jams of the classic rock movement, none have transcended and embraced the purity of the music heard decades before.

Magic in Memphis: A Review of Beale Street Music Festival 2018

One of the nation’s best kept musical secrets lies a mere three hours away from Nashville. Beale Street Music Festival, located in my hometown of Memphis, TN, consistently has one of the best small-festival lineups each year for only a fraction of most festivals’ price. I got the great pleasure of being able to work press this year, and as a result fell even more in love with my favorite Memphis event of the year.

iridescence & Brockhampton’s Experimental Melancholy

From the opening track, BROCKHAMPTON shows that iridescence is a different beast from their previous endeavors, while still retaining the same backbone that propelled them to quick success and a dedicated fanbase. The SATURATION trilogy has concluded in both style and name, and I’m okay with that — iridescence is complicated and superb.

What You Need to Know About Kamikaze

I thought Eminem was done. We all did. I can remember listening to “Arose,” the last track off of Eminem’s Revival, released this past December. In this song, Em takes us back to 2007, where he recounts a play-by-play near death experience in the hospital after an overdose. This is truly an emotional track, with Bette Midler’s “The Rose,” sampled under Eminem giving goodbyes to his family and apologizing for not being there for Hailie and the other kids.

Tranquility Base; or, How to Stop Worrying and Shake Up Your Vibe

Still from music video, dir. A. Brown, B. Chappell

Alex strolls into his apartment building, walking stick carried nonchalantly over his shoulder whistling along with a piece of classical music. Sprawled across the vibrant early-70s décor are the words “SUCK IT AND SEE.” This is a point in Alex’s life when he will begin to impose more of his synthesizer-loving, retro-vibe-oozing will on his followers, and shake things up in the process.

Sunflower Bean’s Twentytwo in Blue, Reviewed

Sunflower Bean turned heads with their first full length album Human Ceremony, released back in 2016. Their debut’s breadth and urgency was illustrious of the band’s burgeoning appetite for a life beyond New York City’s DIY scene, and was ultimately successful in helping them realize the musician’s cliched dream of making it out of one’s hometown. After putting out music for only a year prior, the record was an impressive start for bassist and singer Julia Cumming, guitarist Nick Kivlen, and drummer Jacob Faber. The Brooklyn based trio were young and ambitious then— as they still are now, although their energy has become undeniably more harnessed— and these characteristics were central to Human Ceremony’s sound and thesis. The album was appropriately all over the place musically, with tracks ranging in style from shoegaze to surf rock to psych pop, and influences like the Velvet Underground and Black Sabbath obvious (in some cases on the same songs). Now, Sunflower Bean is back and more polished than ever on their sophomore release Twentytwo in Blue.

The Evils of Spotify: What Goes Around Comes Around

Alright, before you completely hate me for bashing your favorite source for enjoying your tunes, know that I am also a loyal Spotify listener. I even subscribed to their premium service (but I pay half price thanks to that sweet student discount ~cuz money is tight amiright?~). But it’s about time that you knew the truth of how Spotify treats the artists that they stream.

New Dr. Dog singles hint to Most Experimental Album yet

Despite starting out back in 2003 with the album Toothbrush, most music fans know Dr. Dog for its funky fresh 2016 album The Psychedelic Swamp or its mellow, slightly folkly 2017 album Abandoned Mansion.  And if you aren’t a music listener at all, there’s still a 99% chance you’ve heard Dr. Dog’s version of “Heart It Races” from 2007, the band’s most played song that features one of the recognizable, catchiest bass lines.